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When I first wrote Olivia of Olympus, I thought I was being original. After years of experiencing Dystopian YA fiction through the eyes of my students, I had begun to question why those familiar tropes should not instead be applied to existing legends. After all, it was the Norse and the Romans who first told tales of young heroes being pitted against impossible trials. It was the Greeks who proposed a society where women were freed, but at the cost of their lovers being killed and their sons enslaved. And when Zeus defied his wife, Hera, to express his overwhelming love for the human girl, Alcmene… well, a story like that has to give even Bella Swan a run for her mournful money.