About a year after I began submitting my writing, I was offered a contract on one of my satirical thrillers, Driven. Because I felt at the time that it was the least polished of my efforts, I began asking advice, and I will never forget one of the earliest and wisest things that anyone has told me to date.
Victoria Strauss wrote, “Being unpublished is better than being badly published.”
At first, I thought that maybe managing the blog at Writer Beware had made Victoria paranoid. I wasn’t even sure what she meant by “badly published.” If someone was willing to print and sell my first novel on my behalf, how bad a publisher could they be?
Of course, Victoria’s mission is to protect a writer’s work and reputation to future publishers, so I knuckled into some research. I quickly learned a few ways to spot a publisher that even new writers don’t want, and have been learning more and more of those ever since.
Every publisher should offer a clearly worded contract. Some do not. I learned the hard way that ticking a box on a submissions manager is a very poor substitute for a real, big-boy’s contract… and that a real, big-girl’s contract should be about fifteen pages long. Continue reading