Some newly published fiction: In addition to my novel prequel on Wattpad or Inkitt, short story “Fleeting Delights” has been published by Sheepshead Review. You can also find what is perhaps my most controversial story to date, “All About Asses,” online from Every Day Fiction. Don’t judge too harshly until you consider the ending that all humans share…
As the temperature rises to the point of causing slow insanity in the town where I live, people often ask me if I wish I’d stayed in a cooler climate. Sometimes I have to think about it, but my answer is always ‘no.’
It was her dance with this northern land that had kept him here.
He would have sought warmer climates if just for himself, but could not imagine life without her delight over the glittering flakes and various snow-beings: men, angels, and bunnies. She would advance each day into the spiritual winter, then return to him with stories that overflowed him, for that evening, with perfect understanding.
He could not imagine her dance without the winter as her partner. Continue reading
Recently, I was struggling to distinguish the characters in one of my first-person novels. Every character in the story had their own personality, which I had clearly planned and defined, but I was starting to see that they all behaved too much like the narrator. As an exercise, I recalled an incident that happened to me as a very young boy, then forced myself to rewrite it as it might have happened from the perspective of a teenager—who, at the time, seemed to me like a man—I had encountered.
This is the result. Time will tell if it helps with my novel, but sourcing and rewriting an event from a writer’s own experience can be a valuable strategy. It might even be the best definition of the irritating old adage, “Write What You Know.”
By K. Alan
In summertime, songs would reach Stanley through the fruit vines as he fought to remove an old tree. Every morning, he would arrive to Mr. Greenberger’s ranch-house, wanting to wrangle. He wanted his calluses to come from reins and saddles, not from a shovel. He wanted to be a man for just a few minutes.
Instead, Greenberger would send him in the rusted VW to hack at this stump as its roots clawed the soil. The old oak would have blocked some proposed grapevines; it had to go. Stanley put a sleeve to his brow, and stared along the imaginary line of vines up the hill.
I apologize if you’ve seen this already. I posted it yesterday as a guest-post on Cow Pasture Chronicles. It’s another attempt to express what has been troubling me about the friction between creativity and social media, and so important to me that I decided I need it here, too. I hope Sheila doesn’t mind.
The ocean is constantly changing.
It churns millions of gallons between continents every year, and each cupful of water on one beach could well have visited another. Enslaved to tidal forces even greater than itself, movement and change are essential to the ocean; they keep the life underneath it thriving, and sculpt the land between it. A still ocean, one imagines, would surely herald a dying world.
Of course, the ocean isn’t all that changes. Timber wheels evolve into rockets so powerful that they break the force of the very gravity holding that ocean here, so that we can watch a privileged few explore the distant force of those tides. Literature changes, from just a few men being watched playing women on a small wooden stage, to women directing masterpieces that are watched on screens worldwide. And communication changes, too, perhaps most of all; a single letter that was once an act of true devotion is now a daily expectation, to be read and discarded with a swipe.
All the while, the ocean keeps churning Continue reading